Taiwanese art gradually evolved from the paragon of modern painting in the 1980s into the contemporary art familiar to us today. Treating place and being as its coordinates, this exhibition seeks to present the kaleidoscopic manifestation of avant-garde art in Taiwan after the liberation of space and media. A “place” can be a space, an environment, an area, a location, or a territory, while “being” means dwelling in space and time. The “Place of being” refers to things and the place where they exist. Initiated by the renowned artist Tsong Pu, who also works as curatorial consultant to the exhibition, and curated by art historians Chiang Po-Shin and Hsu Yuan-Ta, the exhibition introduces 41 (groups of) artists including Lee Tsai-chien. Asia Art Center is pleased to present Lee Tsai-chien in the exhibition at the National Taiwan Museum of Fine Arts, Places of Being – Space and Materiality in Taiwan’s Avant-Garde Art, 1980-2021.
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